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Dave Bowlin, writer and web-guru, can be found at Sintrigue.org
(SDO).
Dave: There are many people trying their hand at writing these days,
especially with the fast and affordable print-on-demand and e-publishing. If someone
were to ask why they should read your stories instead of the other countless thousands
readily available, a lot of them for free, what would you tell them?
Steven: I'd say, want to hear a good story? I can tell you a good story.
Give them a try and see if you want to read more.
Dave: Fiction writing is an art that takes a lot of practice. How often
do you practice, and do you think it's important to keep a writing schedule?
Steven: I think trying helps one get the craft done better. The more
one writes, the more advice one gets and the more the mistakes become obvious.
One has to be willing to learn. The thickness of the skin must be developed. Once
you get past the fact that you are not Hemingway or King, you can decide that
you are YOU and develop a voice of your own. Yes, a schedule is good. Write everyday.
Even if it is a little bit.
Dave: From time to time, you delve into other areas of writing, including
poetry and essays. Of all the different types of writing that you do, which do
you enjoy the most, and why?
Steven: Probably the barbarian/historical things I write. This may sound
weird, but it is so effortless, as if someone else is doing it. There are tales
that just pour out in that vein. The Dack/mystery stuff is harder to write, oddly
enough. The barbarian material is like I am telling what the historian didn't
get down. This medium allows me to put these historical facts in my brain into
action, so it is fun. There is a natural aggression that flows when I write it.
Dave: What is your favorite time to write, and what is your least favorite?
Steven: Heh. Funny you should ask that. It used to be from noon until
3 before I went to work, but now that my shifts have changed, it can be early
in the morning. My least fave? Probably really late, only because I am about mentally
burnt from the day by then.
Dave: Your writing tends to be a very eclectic mix of genres and styles.
For instance, you have written many tales about a secret society within the United
States government that handles all sorts of clandestine missions which tend to
be extremely violent and bloody, and then you have written poetry that some claim
is somewhat godly or holy. Do you find this transition from styles hard to accomplish,
and which do you enjoy most?
Steven: The change in styles is unproblematic. I can discuss religion,
politics or sex as easy as any topic. Aside from a flip answer to say that one
must be versatile, I find that love, death, violence, or religion are all in a
days work for the human being. Look at the Bible. The folks there are good, bad,
indifferent, evil, etc. I think we are all that way in some ways, just some are
more willing to admit it than others. Johnny Cash has a great song called THE
BEAST IN ME about maintaining his darker side. But admits "...I've seen him
out dressed in my clothes..."
Besides, it is just fiction. I can write about Thor or Dack strangling a crack-head
and then write my wife a poem about how much I adore her in the next sentence.
Both works contain emotion. Each emotion is real. One is an act of fiction, the
other is an expression of emotion. Come to think of it, the fiction is an expression
of emotion, too...hmm...
Dave: Some characters you have created, particularly those of Majestic
Services, have attracted a somewhat large fan base, which has brought quite a
bit of political and religious scorn on you and your family. How have you handled
this situation in the past, and how will you handle similar experiences in the
future? What advice would you share with others going through similar situations?
Steven: Hmm. I handled the situation in the past, well, heck, I had
to play the hand dealt to me. It wasn't a good one and I folded. I had no choice.
However, every writer has a comeback in mind. My advice is, don't put yourself
in a position of weakness and then trust folks to adhere to their religious principles.
It is hard to take some folks serious when they accuse one of sin, then commit
greater sins to bring one under the heel.
As always, I will fight.
Dave: Of all the characters you have created, Dack Shannon is probably
the most famous and widely read. How do you feel about this?
Steven: I wish more folks knew of him. For all of those who have heaped
scorn on me for creating him, so many more love him and his flawed ways. All I
can say is, even more folks will find out about him in the future. I think Dack
is interesting and is a character that needs even more exploration.
Dave: Does your character Dack Shannon reflect any of your own personal
traits? If so, which ones? Is he based on an actual person, or is he purely fictional?
Steven: Well, I saw a tall albino in the mall when I was a kid while
waiting for Santa Claus. He was all in black and grinned at me. That probably
didn't help. Dack came about when my father suggested I quit writing sci-fi "Crap"
and write about a detective. Dack Shannon isn't based on any real person. My attributes?
Some folks say he reflects my cerebral side, whereas Thor Alexander is my ego
or aggression. Dack is tall like me, but he is thinner. I would say he also dislikes
the bad guys like I do, too.
Dave: The Majestic Services stories you write tend to be violent to
the extreme. Some no doubt feel these stories are too harsh and violent to be
considered quality fiction. How do you feel about this?
Steven: Everyone is their own judge of quality. However, none of my
Dack material goes to the level of Clive Barker, I don't think. Some tales are
rough, but most are no more at the level of a LAW & ORDER show. They are action,
suspense tales, meant to be told in the vein of a pulpy realm. I am not going
for the Pulitzer Prize here, but hope that the tales are entertaining with a few
hooks of plot in the violence. If one cannot deal with the brutality of life,
buy an ARCHIE comic.
Dave: Which character that you have created has given you the hardest
time in writing, and why?
Steven: In the Dack realm, perhaps Judy Spears because she isn't a likeable
person, but a very real person. She is a good foil for Dack, but not a pleasant
gal. I keep her in because she is real. Not all real folks are nice.
Maybe Irv, the scalp-hunter biker in ALL CRANKED UP...he wasn't a nice dude
at all.
Dave: Do you feel loyal to your fans to the point that you would change
a story if the majority of them considered it too violent or harsh? Why or why
not?
Steven: Hard to say. I'd hate to offend someone, but one has to stand
by what they do. That is why I let you, Dave, read things. I wager if you are
stunned, it is ok. Someone once advised me they couldn't see Brittany Brennan
doing something, and I agreed. One has to be open to change, but not be a slave
to it.
Dave: You have been known to write heroic fantasy fiction. What future
plans can you reveal about this genre for yourself?
Steven: My barbarian collection DEPTHS OF SAVAGERY will be released
from DOUBLE DRAGON this summer. I have two major barbarian novels in the works,
one nearly perfect. GODFORSAKEN is probably the best work of my life. Let us hope
some others think so. Any fans of this type of epic fantasy will be pleased with
it, I think.
Dave: If you could trade places with any one of your characters for
one month, which would it be, and what would you do differently than that character?
Steven: While a few of my fans would scream to trade places with Dack
just on the Brittany idea alone, I would chose Hank, the head of MAJESTIC SERVICES.
Why? He knows everything and controls everything & everyone. That alone would
be fun, to know all his secrets...but to have that power, I may want to push his
secret agenda forward faster...or create one of my own. That is a lot of power
for one man to wield.
Dave: How do you know when a story is completed?
Steven: When I write THE END, naw, just joking. It is a mental thing,
it sorta snaps shut. There are always revises or whatnot, but after a season,
there can be only so many bells and whistles added. That and most folks have an
ending in mind when they create a tale.
Dave: Being your own judge when deciding if a story is good enough to
submit to a market is tough. How do you decide when a story is ready to submit?
Steven: Oddly enough, I let a few close friends read them. My friend
and photographer, Mark Boatman, is a great judge of what sucks and what does not.
Another friend, Chris Heath, is a great stickler for details. And for great feedback,
good or bad, there is always Dave Bowlin. Sometimes a tale is about as perfect
as it gets, but at times there is a nagging feeling that I missed something. That
is when one must ask a friend, "Does this look like steak or rancid cheeseburgers?"
Dave: Rejections happen to everyone. How do you handle a rejection when
you thought the story was perfect for a particular market?
Steven: I'm human. Sometimes, it makes me cross for a spell, but I get
over it. Usually, I go back and see if I made and error or can improve the tale.
If NO REASON is given for a reject, that ruffles me a tad, for, I am human. "shrugs"
Life is short, so one rolls with it. My acceptances far outweigh my rejects. There
are always folks asking for a tale. One must try again and again.
Dave: Writing crime can be a tricky business, particularly when the
author wants to get a true sense of the world they are writing about. Since you
can't very well murder people just to see how it's done, what other forms of research
and trial and error do you do when writing your stories?
Steven: Just the imagination, visualization etc comes from the ether
of the mind. I have looked at many aspects of the human body and know what it
can take and cannot. I have been in enough struggles to know when a body bruises
or bleeds. Plus, read, read, read, everything. Newspapers, books, medical journals
or other crime fiction. One always will pick up some tidbit.
Dave: If you could co-author a novel with anyone in history, who would
that person be, and what would you choose to write about?
Steven: Robert E. Howard. Probably about Conan when he was old or Cormac
Mac Art drifting off into America. Either that or we'd drink beer and write that
great western he always wanted to do.
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